Further Bibliography Including Works Cited
Bernstein, Charles. 2013. Recalculating. Chicago: University of Chicago Press.
Bunting, Basil. The Complete Poems. 1994. RichardCaddel, Associate Editor. Oxford: Oxford University Press.
DuPlessis, Rachel Blau and PeterQuartermain, eds. 1999. The Objectivist Nexus: Essays in Cultural Poetics. Tuscaloosa: University of Alabama Press.
Lowney, John. 2006. History, Memory, and the Literary Left: Modern American Poetry, 1935–1968. Iowa City: University of Iowa Press.
Nicholls, Peter. 2007. George Oppen and the Fate of Modernism. Oxford: Oxford University Press.
Niedecker, Lorine. 2002. Collected Works. Ed. JennyPenberthy. Berkeley: University of California Press.
Niedecker, Lorine1986. “Between Your House and Mine”: The Letters of Lorine Niedecker to Cid Corman, 1960–1970. Ed. Lisa PaterFaranda. Durham, N.C.: Duke University Press.
Olson, Charles. 1997. Collected Prose. Eds. DonaldAllen and BenjaminFriedlander. “Projective Verse” (1950): 239–49. Berkeley: University of California Press.
Oppen, George. 2002. New Collected Poems. Ed. MichaelDavidson. New York: New Directions.
Oppen, George1990. The Selected Letters of George Oppen. Ed. Rachel BlauDuPlessis. Durham, NC: Duke University Press.
Oppen, George2007. Selected Prose, Daybooks, and Papers. Ed. StephenCope. “The Mind’s Own Place” (1962): 29–37. Berkeley: University of California Press.
Quartermain, Peter. 1992. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge University Press.
Rakosi, Carl. 1995. Poems 1923–1941. Ed. AndrewCrozier. Los Angeles: Sun and Moon Press.
Reznikoff, Charles. 2007. Holocaust (1975). Boston: A Black Sparrow Book, David Godine, Publisher.
Reznikoff, Charles2005. The Poems of Charles Reznikoff, 1918–1975. Ed. SeamusCooney. Boston: A Black Sparrow Book, David Godine, Publisher.
Williams, William Carlos. 1986. The Collected Poems Volume I, 1909–1939. Eds. A. WaltonLitz and ChristopherMacGowan. New York: New Directions.
Zukofsky, Louis. 1978. “A.” Berkeley: University of California Press.
Zukofsky, Louis1991. Complete Short Poetry. Baltimore, MD: Johns Hopkins University Press.
Zukofsky, Louis. 2000a. Prepositions+: The Collected Critical Essays (1967, 1981). MarkScroggins, ed. Hanover: Wesleyan University Press
Zukofsky, Louis. 2000b. A Test of Poetry (1948). Hanover: Wesleyan University Press.
Zukofsky, ed. 1975. An “Objectivists” Anthology. (TO, Publishers, 1932). Folcroft, PA: Folcroft Library Editions.
"Objectivist" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.
Thus, argue editors Rachel Blau DuPlessis and Peter Quartermain, the time has come for an anthology that unites essential works on Objectivist practices and presents Objectivist writing as an enlargement of the possibilities of poetry rather than as a determinable and definable literary movement. The authors' collective aim is to bring attention to this group of poets and to exemplify and specify cultural readings for poetic texts--readings alert to the material world, politics, society, and history, and readings concerned with the production, dissemination, and reception of poetic texts.
The contributors consider Basil Bunting, Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky within both their historical milieu and our own. The essays insist on poetry as a mode of thought; analyze and evaluate Objectivist politics; focus on the ethical, spiritual, and religious issues raised by certain Objectivist affiliations with Judaism; and explore the dissemination of poetic texts and the vagaries of Objectivist reception. Running throughout the book are two related threads: Objectivist writing as generally a practice aware of its own historical and social contingency and Objectivist writing as a site of complexity, contestation, interrogation, and disagreement.